Creative Coaching Groups January-June 2024: Middle Grade/YA Fiction Cohort Advanced
Jan
1
to Jul 8

Creative Coaching Groups January-June 2024: Middle Grade/YA Fiction Cohort Advanced

https://www.scbwi.org/events/MDDEWVCCG24JanJune

Middle Grade/YA Fiction Cohort Advanced is for you if

• You have completed 3 or more Middle Grade or Young Adult manuscripts. 

• You have submitted to agents and publishers and received personalized comments in response.

• You’re an experience writer but just not sure about your new project

• You’re looking for feedback to take your work to the next level.

You’ll submit up to 50 double-spaced pages of a middle grade or young adult fiction manuscript each month, for a total of 6 mentor critiques, plus monthly peer critiques from the other members of your cohort. You may choose to submit new material each month, or revise and resubmit previously critiqued material.

Maximum size of this cohort is 3 participants.

Cost: $1200

About Mentor Meg Eden Kuyatt

Meg Eden Kuyatt

teaches creative writing at colleges and writing centers. She is the author of the 2021 Towson Prize for Literature winning poetry collection DROWNING IN THE FLOATING WORLD (Press 53, 2020) and children’s novels, most recently GOOD DIFFERENT, a JLG Gold Standard selection (Scholastic, 2023). Find her online at

https://linktr.ee/medenauthor

Middle Grade/ YA Advanced Cohort Dates and Deadlines

January

Online meeting (60-90 minutes): Monday, January 8, 2024, 5 PM Eastern

Deadline to submit materials for mentor and peer critique: Monday, January 15, 2024, 5 PM Eastern

Mentor and peer written critiques due: Monday, January 29, 2024, 5 PM Eastern

February

Online meeting (60-90 minutes): Friday, February 2, 2024, 5 PM Eastern

Deadline to submit materials for mentor and peer critique: Monday, February 12, 2024, 5 PM Eastern

Mentor and peer written critiques due: Monday, February 26, 2024, 5 PM Eastern

March

Online meeting (60-90 minutes): Monday, March 4th, 2024, 5 PM Eastern

Deadline to submit materials for mentor and peer critique: Monday, March 11, 2024, 5 PM Eastern

Mentor and peer written critiques due: Monday, March 25, 2024, 5 PM Eastern

April

Online meeting (60-90 minutes): Monday, April 1, 2024, 5 PM Eastern

Deadline to submit materials for mentor and peer critique: Monday, April 15, 2024, 5 PM Eastern

Mentor and peer written critiques due: Monday, April 29, 2024, 5 PM Eastern

May

Online meeting (60-90 minutes): Monday, May 6, 2024, 5 PM Eastern

Deadline to submit materials for mentor and peer critique: Monday, May 13, 2024, 5 PM Eastern

Mentor and peer written critiques due: Monday, May 27, 2024, 5 PM Eastern

June

Online meeting (60-90 minutes): Monday, June 3, 2024, 5 PM Eastern

Deadline to submit materials for mentor and peer critique: Monday, June 10, 2024, 5 PM Eastern

Mentor and peer written critiques due: Monday, June 24, 2024, 5 PM Eastern

Final online meeting (60-90 minutes): Monday, July 8, 2024, 5 PM Eastern

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Kidlit 6-Month Novel Mentorship Program with Meg Eden Kuyatt
Mar
1
to Aug 9

Kidlit 6-Month Novel Mentorship Program with Meg Eden Kuyatt

https://writingworkshops.com/products/kidlit-6-month-novel-mentorship-program-with-meg-eden-kuyatt?_pos=1&_sid=21b860aa8&_ss=r

This is an immersive one-on-one course designed to encourage hardworking kidlit writers, and identify the next steps for their individual project (writing, revision, querying agents, publication, etc). 

The ideal applicant should be a writer seriously interested in writing middle grade or young adult novels, who has started or completed a manuscript in their given age category. They should be willing and interested in actively reading books in their age category that have been published within the past five years, and have a spirit of willingness to receive and consider feedback to make their work as strong as it can be. While applicants of all experience levels are welcome, this program is best for writers who have been submitting their work to agents and publishers and received positive feedback, but are not sure how to take their work to the next level, or writers who have completed projects in the past but feel stuck or unsure about their new project. Applicants should have a goal for the 6-Month program when applying.

Whether you are still working on your idea or are well into writing it, this mentorship will meet you where you are, and motivate and inspire both beginning and advanced kidlit novelists. Writers accepted into the program will already have a basic knowledge of the tools and craft of writing fiction and are looking for an intensive experience without the cost of a graduate program. Interested applicants will understand that growth in craft requires critique, consistent work, and an eagerness to grow. Accepted applicants will agree to be punctual in submission of work. This is in fairness to Meg, the other students in the course, and themselves.

How It Works:

-Upon acceptance into the mentorship program, you will schedule an initial one-on-one call with Meg to discuss your project and goals, allowing Meg to get a sense of your previous experience and preferences around feedback. Together, you’ll create a work plan for the next six months. This is largely a text-based mentorship, with periodic one-on-one check-ins, ideal for writers who need a flexible, accommodating program.

-Revision will be a key part of the mentorship. Writers will be expected to revise at least once over the 6-month mentorship program. The bulk of the mentorship will consist of Meg giving personalized feedback and advice within the manuscript itself, as well as via follow-up emails that will develop organically. Critique will include feedback on what’s working well and what could be clarified or improved, particularly focused on character, plot, voice, dialogue, POV, and market/industry perspective. Meg will recommend additional resources that she thinks will benefit the writer.

-The number of pages due for each packet will depend on the writer and their project, and will be worked out in the initial conversation. With each packet submission, you will also send an informal reflection where you can note areas of concern and victory during that month, as well as any questions you may want Meg to particularly focus on addressing. Sharing your own sense of victory is as important as sharing the areas of challenge.

This Six-Month Mentorship Consists of the Following:

  • One-on-one check-in via zoom or email, up to once a month 

  • Personalized calendar for achieving your project goals

  • Accountability

  • Access to mentor via email for six months

  • Five critiques of new pages, including line edits and bigger-picture notes and questions (done in Microsoft Word using Track Changes)

  • Personalized readings and assignments based on your specific development needs

  • If applicable, access to optional networking (via email or zoom) with other mentees in the program

Mentor’s Input:

  • Emails that discuss individual monthly goals and progress

  • In-line comments and critique on submitted manuscript pages

  • When applicable, mentor will suggest new readings or exercises to aid in growth

  • Available to answer questions and provide encouragement via email

Mentee’s Responsibilities:

  • Send pages to mentor based on individual project goals negotiated with mentor

  • Process-reflection letter discussing achievements and areas of growth for the month

  • Read materials mentor may assign to aid growth in specific areas

  • Participate in email conversation with mentor to review individual progress and areas of growth

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Exploring Poetic Forms: a 6-Week Generative Zoom Class, Starts Monday, May 6th, 2024
May
6
to Jun 3

Exploring Poetic Forms: a 6-Week Generative Zoom Class, Starts Monday, May 6th, 2024

https://writingworkshops.com/products/exploring-poetic-forms-6-week-class

Level up your poetry by gaining form tools for your toolbox!

In this 6-week workshop, we’ll explore why form is relevant for contemporary poets, and how we can take advantage of form to strengthen both traditional and free-verse poems.

Poetic form isn’t just meter and rhyme--it encompasses a diverse range of vessels that poems can inhabit. Form can help focus our poems, and reinforce a tone beyond our written words. When we have writer’s block, form can give us direction on how to keep writing.

Over the six weeks of this workshop, we’ll write in several forms (including the haiku, sestina, pantoum, and sonnet), and explore what content works well with different types of forms.

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Foundations of Poetry
May
6
to Jun 10

Foundations of Poetry

https://writer.org/event/foundations-of-poetry/

Learn the poetry basics and write 4 poems!

Over the course of six weeks, we’ll discuss four key elements of poems: image, sound, form and realization. Students will produce a variety of poems and learn tips for maintaining the practice of writing. Students will have the opportunity to workshop four poems and will receive personalized feedback on their work.

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May
15
7:00 PM19:00

CHARLES COUNTY CHAPTER MEETING: MEG KUYATT ON WRITING THAT DIFFICULT FIRST LINE

https://marylandwriters.org/meetinginfo.php?id=1250&ts=1711381455

Meg Kuyatt will talk to us about writing killer first lines.

Meg Eden Kuyatt teaches creative writing at colleges and writing centers. She is the author of the 2021 Towson Prize for Literature winning poetry collection Drowning in the Floating World (Press 53, 2020) and children’s novels, most recently Good Different, a JLG Gold Standard selection (Scholastic, 2023).

Join Zoom Meeting: https://us02web.zoom.us/j/87279055419?pwd=NTBpTFkwUjRGWXZ3anBRcjNvZGt3dz09

For more information, email: charlespresident@marylandwriters.org

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What They Don’t Tell You About Publishing: Submitting to Agents and Editors Zoom Seminar, Monday, June 3rd, 2024
Jun
3
12:30 PM12:30

What They Don’t Tell You About Publishing: Submitting to Agents and Editors Zoom Seminar, Monday, June 3rd, 2024

https://writingworkshops.com/products/what-they-don-t-tell-you-about-submitting-to-agents-and-editors

Get your agent submission questions answered! This workshop will equip you with everything you need to jump into the publishing industry.

We’ll discuss the roles of agents and editors, what they’re looking for in work, and how you can make your work stand out through strong query letters, pitches, and bios. As someone who has worked on both the author and publicity sides of the fence, I can describe my experience with most effectively approaching marketing and submitting books from both angles.

We’ll also discuss some key tips for how to get to know agents and editors better. No project is required for this workshop; however, students who have a manuscript in mind will have opportunities to create and practice a mini-pitch for the class.

TAKE THIS CLASS IF:

  • You are interested in submitting your novel or poetry collection out for publication but don’t know where to start.

  • You’ve submitted your work to agents and editors but received form rejections and would like to help your submission stand out.

  • You’d like to create or tighten your pitch for Twitter contests or pitch sessions.

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Kidlit Novel in Verse 6-Month Workshop Group Mentorship Program
Jul
1
to Dec 29

Kidlit Novel in Verse 6-Month Workshop Group Mentorship Program

Kidlit Novel in Verse 6-Month Workshop Group Mentorship Program ($1220)

LIMITED AVAILABILITY, max 5 participants per workshop

REGISTRATION IS CURRENTLY OPEN FOR JAN-JUNE 2024 COHORT

 

Writing, editing and querying (especially querying) can be lonely and overwhelming—so let’s do it together! Join a workshop mentorship group where you can get feedback on your work, monthly check-in meetings, and accountability through emails and discord. I’ll also share insights from my experiences in the kidlit industry, answer questions about craft and industry, and do whatever I can to help support you as a writer! No application necessary.

 

As a part of the program, you will receive:

 

·      Feedback on six packets (up to 30 double spaced pages) from Meg and peer group

·      Monthly online group meeting (approx. 30 minutes) to discuss feedback, ask questions, and discuss craft and industry topics

·      Access to a discord group with your fellow cohort mentees, as well as mentees from other mentorship cohorts – throughout the program and beyond!

 

 

This program is a great fit for you if:

 

·      you write middle grade or young adult novels in verse

·      you’ve completed at least one manuscript (of a novel or novel in verse)

·      you’ve been receiving positive feedback on your work from a critique group or queries

·      you’re open to hearing feedback on your work and have an eagerness to grow as a writer

·      you have a serious interest in writing kidlit and want to take your work to the next level

·      you are getting ready to query, or have been querying but not getting the response you hope and would like to make your submission shine

 

 

Monthly Sample Schedule:

 

·      First Monday of the month, 6pm EST: online zoom meeting

·      15th of the month: deadline to submit materials to group

·      Last Monday of the month: written critiques due

 

The monthly schedule will be finalized by the group in the first meeting. Meeting times will be in EST. Meg’s availability is largely weekday afternoons and evenings. There will be a final wrap-up call with the group after the 6th month of the program.


As a part of the program, you agree to:

 

·      Submit work that has been wholly and solely written by you

·      Send pages to group by agreed upon deadline (unfortunately, no late submissions will be accepted)

·      Provide feedback to group members by agreed upon deadline

·      Attend and actively participate in group sessions

·      Treat all group and discord members with respect and kindness

·      Communicate with Meg immediately if an emergency extension is required for providing group member feedback

SPACE IS LIMITED! TO RESERVE, VISIT: https://megedenbooks.square.site/product/kidlit-novel-in-verse-6-month-workshop-group-mentorship-program/39?cs=true&cst=custom

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NEURODIVERSE WRITERS AND ILLUSTRATORS: AN IN-COMMUNITY RETREAT FOR STORYTELLERS
Aug
8
to Aug 11

NEURODIVERSE WRITERS AND ILLUSTRATORS: AN IN-COMMUNITY RETREAT FOR STORYTELLERS

https://www.highlightsfoundation.org/workshop/neurodiverse-writers-and-illustrators-an-in-community-retreat-for-storytellers/

Join us for an in-community retreat tailored for neurodivergent writers and illustrators, where you can fully embrace your perspectives and talents in a welcoming and inclusive environment.

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WORKING RETREAT: NOVELS IN VERSE
Oct
6
to Oct 9

WORKING RETREAT: NOVELS IN VERSE

https://www.highlightsfoundation.org/workshop/working-retreat-novels-in-verse/

Verse Novelists, Novelists, and Poets, join Rajani LaRocca and Chris Baron for time to create and connect. Ideal for those working on a verse novel at any level, even in the idea stage.

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Writing a Novel in Verse Zoom Seminar
Apr
8
6:00 PM18:00

Writing a Novel in Verse Zoom Seminar

https://writingworkshops.com/products/writing-a-novel-in-verse-zoom-seminar

Thinking about writing a novel in verse? The novel-in-verse is a unique form that merges elements of poetry and fiction, and is gaining popularity in the kidlit community as a powerful storytelling form. In this workshop, we’ll discuss the craft and thematic elements that make for a strong novel-in-verse, explore some examples of effective novels in verse, and engage in exercises to investigate this form for our own narratives.

We’ll also learn about tools to carry in your novel-in-verse toolbox including sound, repetition, line breaks, the stanza, “the rules of the poem” and more. Learn how to establish and disrupt patterns of form as well as integrate motifs to make your novel really shine. We’ll walk through the process of how I’ve approached form in my adult poetry, as well as my novel-in-verse Good Different, and will have time for exercises playing with form. If you’d like, feel free to bring some poems from your novel-in-verse that you’d like to play with.

COURSE TAKEAWAYS:

  • Learn what a novel in verse is.

  • Learn what kind of stories are best told in the novel in verse form.

  • Get industry insights on the kidlit novel in verse market.

  • Learn exercises to play with for generating and editing your novel in verse

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Mar
20
7:00 PM19:00

A NEW ANGLE: PLAYING WITH POINT OF VIEW (MWA Chapter mtg Zoom)

https://marylandwriters.org/meetinginfo.php?id=1234&ts=1708613629

Have you started a writing project with excitement, but quickly lost interest and felt stuck? Sometimes changing the point of view in the story can reinvigorate a project, and give direction on how to move forward. In this online-only workshop, writing teacher and published author Meg Eden Kuyatt will guide us in exploring stories that use unique perspectives. Attendees will also take part in a writing exercise to get ideas on what perspectives could transform our own stories.

Meg Eden Kuyatt teaches creative writing at colleges and writing centers. She is the author of the 2021 Towson Prize for Literature winning poetry collection “Drowning in the Floating World” and children’s novels including a 2023 ALA Schneider Family Book Award Honor “Good Different,” and the forthcoming “The Girl in the Wall” (Scholastic, 2025). Find her online at megedenbooks.com.

Registration link for online Annapolis Chapter meetings: https://us02web.zoom.us/meeting/register/tZMtcuCgpz8jE9EpbkrjLEjaRCD2QlHOJ62q

For more information email: annapolispresident@marylandwriters.org

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Novels-in Verse 101
Mar
19
7:00 PM19:00

Novels-in Verse 101

https://www.scbwi.org/events/novel-in-verse-101

Thinking about writing a novel in verse? The novel-in-verse is a unique form that merges elements of poetry and fiction, and is gaining popularity in the kidlit community as a powerful storytelling form. In this workshop, we’ll discuss the craft and thematic elements that make for a strong novel-in-verse, explore some examples of effective novels in verse, and engage in exercises to start investigating this form for our own narratives. 

March 19th, online

7-8:15pm EST

$30/$15 for premium members

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Awesome Con
Mar
10
9:30 AM09:30

Awesome Con

Time TBD

Program Title: Big Issues for Young Readers: Writing & Publishing Debut Authors
Program Description: Meet upper middle grade authors who treat big themes for tween readers. They will share practical tips for aspiring writers on writing books about contemporary themes that appeal to readers from middle school and up, plus talk about what it’s like to work on these stories with agents and editors. Bring any writing or publication questions you have!

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Jan
18
to Jan 20

MAGfest

Thurs - 2pm - Worldbuilding in Storytelling Panel with MB Dahl

Whether you’re writing a campaign or a speculative novel, good worldbuilding is critical--if readers feel estranged from the world of the story, they will likely lose interest and pick up another book.  Come hear panel of writers discuss their favorite sci fi/fantasy worlds, how these worlds mirror our own reality, and how successful writers entice their readers into new and exciting worlds. 

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Getting Your Foot in the Door: Publishing in Literary Magazines Zoom Seminar
Jan
15
6:00 PM18:00

Getting Your Foot in the Door: Publishing in Literary Magazines Zoom Seminar

Want to submit your work to magazines but don't know how? In this workshop, we'll talk about what literary magazines are, what editors are looking for in submissions, have a “translation” exercise, tips on how to get the most out of a lit mag, tips for approaching writing a cover letter and contributor bio, as well as how to handle rejections.

The skills you learn in this session can easily apply to other publication realms, including writing to agents and editors of small book presses. All participants will receive a complimentary magazine of their choice.


Participants will have time during the seminar with interactive prompts and will also receive resources to continue writing on their own.

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Jan
13
11:30 AM11:30

MWA Montgomery Virtual - Revising with Focus: the Thesis of the Novel - 10.30

Once you've written a draft, it can be difficult to figure out where to go next. A range of people will provide feedback, but who is right? How do you go about discerning what to edit and what to keep the same? To effectively edit, it’s critical to identify a novel’s underlying argument—it’s heart. In this workshop, we’ll discuss the “thesis statement” approach to editing, looking at examples of novels’ “thesis statements,” as well as providing exercises to help you identify and hone in on your novel’s thesis.

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Jan
11
7:30 PM19:30

Hooking Your Reader: Writing A Killer First Line – with Meg Eden Kuyatt, 11 Jan 2024

Hooking Your Reader: Writing A Killer First Line – with Meg Eden Kuyatt

When: 11 Jan 2024 7:30 PM, EST
Where: Zoom

Most editors of both magazines and presses will say that they read the first, last and middle page of a story before deciding if they want to read more. Potential readers are even less forgiving. When I pick up a new book, if the first line doesn’t hook me, I probably won’t continue reading. So how do we snag our readers and make them want to read more? In this workshop, we’ll look at examples of powerful first lines and discuss strategies for selecting a powerful first line. Feel free to bring the first line of your story or novel for a mini first-line “workshop.”
_________________

MEG EDEN KUYATT teaches creative writing at colleges and writing centers. She is the author of the 2021 Towson Prize for Literature winning poetry collection “Drowning in the Floating World” and children’s novels, most recently “Good Different,” a JLG Gold Standard selection (Scholastic, 2023). Find her online at megedenbooks.com.

https://www.easternshorewriters.org/EmailTracker/LinkTracker.ashx?linkAndRecipientCode=vuJ1B2VofEvu3Ultz%2fYC65913y0dWQgWj7kXBQAYd9XgrXq4c4oWlN7f9MLHxwYEdm59EE5fXZ3n%2fX0oBjQvsmG4gDAP%2fa1ysSWmdKeqTUI%3d

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Ocean City Comicon
Dec
9
11:30 AM11:30

Ocean City Comicon

I’ll be tabling and speaking at Ocean City Comicon! Would love to see you there!

Environmental Storytelling & Show Don’t Tell: How I Learned to Write through Playing Video Games

The popular saying goes: “A picture’s worth a thousand words.” With the rapid developments in technology, our storytelling is changing to not just be on the page, but through movies, television, and video games--highly visual mediums. Through the power of images, we can convey a whole narrative in a short space. Games like Deus Ex: Mankind Divided and Gone Home use environmental storytelling to give us pieces of characters’ lives. In this workshop, we’ll discuss examples of games that tell stories through objects, and go into our own writing exercises inspired by video games. 

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NCTE 2023
Nov
16
to Nov 19

NCTE 2023

Author Signing

Date: Friday, 11/17 10:15am – 11:00pm Scholastic Booth #710 (Good Different)

 

Scholastic author reception

6:30pm on Friday night

Sessions:

Date: Saturday 11/18, 11:00 am - 12:15pm.

Session Title: “I’m Not Doing It to Be Annoying”: Understanding and Supporting Students with Compulsive and Sensory-Seeking Behaviors

Presenters/Authors: Leila Sales, Abrams  Meg Eden Kuyatt, Scholastic  Kelis Rowe, Penguin Random House  Brian Wyzlic, Brandon School Division

Location: GCCC A-122/123

 

Date: Saturday, 11/18 2:45pm – 4:00pm

Session Title: Unlocking Emotions: Poetry as a Social Emotional Learning Practice

Presenters/Authors: Laura Shovan Darius Phelps, Teachers College, Columbia University  Rajani LaRocca, HarperCollins, Abrams, Penguin Random House, Candlewick  Meg Eden Kuyatt, Scholastic  Hannah V. Sawyerr, Abrams

Location: B-246, GCCC

Reading and writing poetry grows more than verbal literacy. It lays down roots for social emotional learning in the classroom, providing a contact point for connecting with self, peers, and the humanity we each possess. A panel of poet-educators will offer insights into how poetry serves as a vessel, unlocking emotions through the books we share with students and in their own creative writing.

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Submitting and Publishing in Literary Magazines: 4 Week One-on-One Mentorship Program, Starts Monday, November 6th, 2023
Nov
6
to Dec 11

Submitting and Publishing in Literary Magazines: 4 Week One-on-One Mentorship Program, Starts Monday, November 6th, 2023

https://writingworkshops.com/products/submitting-and-publishing-in-literary-magazines-4-week-one-on-one-mentorship-program

Taught by Meg Eden, a 2020 Pitch Wars mente and the author of five poetry chapbooks, the novel Post-High School Reality Quest (2017), the poetry collection Drowning in the Floating World (2020), and the forthcoming novel-in-verse Good Different, a JLG Gold Standard Selection (Scholastic, 2023). She is also a participating author with the PEN/Faulkner Writers in Schools program.

In this 4 week one-on-one mentorship program, Meg Eden Kuyatt will support you through the submitting process, providing suggestions on how to find and read literary magazines, as well as providing personalized feedback and encouragement along the way.

By the end of the program you will have a better understanding of the submission process (how to find the best places to send your work, write a cover letter and contributor’s bio, read rejection letters, etc).

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Getting Your Writing Out: Debut KidLit Author Panel – featuring Meg Eden Kuyatt, J.P. Takahashi, Charlene Thomas
Oct
19
7:30 PM19:30

Getting Your Writing Out: Debut KidLit Author Panel – featuring Meg Eden Kuyatt, J.P. Takahashi, Charlene Thomas

https://www.easternshorewriters.org/event-5434851

Meet debut picture book, middle grade and young adult authors and illustrators as they share their publication and writing journeys, what they’ve learned along the way, and practical tips for aspiring writers on working with agents and editors. Bring any writing or publication questions you have!
_________________

MEG EDEN KUYATT teaches creative writing at colleges and writing centers. She is the author of the 2021 Towson Prize for Literature winning poetry collection “Drowning in the Floating World” and children’s novels, most recently “Good Different,” a JLG Gold Standard selection (Scholastic, 2023). Find her online at megedenbooks.com.

J.P. TAKAHASHI is the author of TOKYO NIGHT PARADE (HarperCollins/Tegen, 2023) and a literary agent by day. She's the Director of Special Projects at POC in Publishing, and previously worked in editorial at Scholastic/AALB and Levine Querido while attending NYU and the City University of New York. Her next book releases in 2025.

CHARLENE THOMAS is a young adult author from Montgomery County, MD. She received a minor in Creative Writing from North Carolina State University and her MBA from Emory University. When she was sixteen years old, she wrote a manuscript that received the National Novel Silver Award from the Scholastic Art and Writing Awards. Her debut novel, SETON GIRLS, released in August 2022, and her sophomore novel, PEEKABOO, releases in 2024.

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Tech Series - Author Website: Squarespace or Wordpress?
Oct
17
6:30 PM18:30

Tech Series - Author Website: Squarespace or Wordpress?

https://www.scbwi.org/events/AuthorWebsite

A website is a critical platform for a writer or illustrator at any stage of their career to have. But where do you start? And which platform should you use? In this webinar, two authors will discuss the platforms they use for their author websites, and the pros and cons of Squarespace and Wordpress. We will discuss the importance and function of having an author website, the critical information it should contain, and how authors can decide which platform is the best fit for them.

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Sep
30
11:30 AM11:30

Write on the Sound Virtual Conference

https://www.edmondswa.gov/cms/one.aspx?portalId=16495016&pageId=19534281

All  times are Pacific Daylight Time

11:30am - 12:30pm - Place as Narrative with Meg Eden Kuyatt:  Every place has a story, but to find it, we often have to use the power of natural objects. As writers, we can plant clues and seeds for our reader through objects, which can give us story more efficiently and powerfully than exposition. In this workshop, we'll talk about place, the natural object, and go into a writing exercise that allows us to explore and invent stories through the details of a landscape. 

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Sep
27
7:00 PM19:00

Writer's League of Texas: Literary Magazine Workshop

https://writersleague.org/calendar/publishing-in-literary-magazines-kuyatt-2023/

Can’t make it to the live class? No problem! All classes are recorded and made available to class registrants for one month.

Want to submit your work to journals and magazines but don’t know how?

In this class, we’ll talk about what literary magazines are, what editors are looking for in submissions, tips on how to get the most out of a literary journal, tips for crafting a great a cover letter and contributor bio, as well as how to navigate the whole process from submission to acceptance (and how to handle rejections). The skills you learn in this session can easily apply to other publication realms, including writing to agents and editors of small book presses. All participants will receive a complimentary magazine of their choice.

In addition to having several books (both prose and poetry) published, Meg Eden Kuyatt’s work is published or forthcoming in magazines including Writer’s Digest, Prairie Schooner, The Rumpus, Poetry Northwest, Crab Orchard Review, RHINO, and CV2. Join us to hear how she approaches the submission process and what she’s learned along the way.

TAKE THIS CLASS IF

  • You’re writing short stories, essays, or poems.

  • You want to learn best practices for publishing in literary magazines.

  • You need help honing your submission materials.

The deadline to register for this class is Wednesday, September 27 at 5:00 PM CDT.

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VIRTUAL - Thushanthi Ponweera - I AM KAVI Launch
Sep
19
6:00 PM18:00

VIRTUAL - Thushanthi Ponweera - I AM KAVI Launch

https://www.brazosbookstore.com/event/virtual-thushanthi-ponweera-i-am-kavi

Caught between two worlds—a poverty-stricken village and a fancy big-city school—a young Sri Lankan girl must decide who she really is and where she really belongs.

1998, Colombo. The Sri Lankan Civil War is raging, but everyday life must go on. At Kavi’s school, her friends talk about the weekly Top 40, the Backstreet Boys, Shahrukh Khan, Leo & Kate… and who died—or didn’t—in the latest bombing. But Kavi is afraid of something even scarier. She fears that if her friends discover her secret—that she is not who she is pretending to be—they’ll stop talking to her. 

I want to be friends with these / happy, / fearless, / girls / who look like they / belong.

So I could also be / happy, / fearless, / and maybe even / belong.

Kavi’s scholarship to her elite new school was supposed to be everything she ever wanted, but as she tries to find some semblance of normalcy in a country on fire, nothing is going according to plan. In an effort to fit in with her wealthy, glittering, and self-assured new classmates, Kavi begins telling lies, trading her old life—where she’s a poor girl whose mother has chosen a new husband over her daughter—for a new one, where she’s rich, loved, and wanted. This dazzling novel-in-verse from an astonishing new talent introduces readers to a world rarely seen in middle grade and stars an unforgettable heroine each and every one of us can relate to.  

That’s when it comes crashing down on me. / I have been spending all my time / since I came here / preparing for the / wrong / test.

Thushanthi Ponweera is an author and poet from Sri Lanka. Before daring to follow her dream of being published, she was a marketing specialist and entrepreneur. Her writing reflects the frustration she feels at the inequality and injustice she sees around her and the deep love she has for her island home. After having lived all her life in Colombo, Thushanthi recently moved to Qatar with her husband and two children.  I Am Kavi is her first novel.

Meg Eden Kuyatt teaches creative writing at colleges and writing centers. She is the author of the 2021 Towson Prize for Literature winning poetry collection “Drowning in the Floating World” and children’s novels, most recently “Good Different,” a JLG Gold Standard selection (Scholastic, 2023). Find her online at megedenbooks.com.

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Professional Kid-ness: The Joy of Middle Grade Writing
Aug
26
12:00 PM12:00

Professional Kid-ness: The Joy of Middle Grade Writing

https://www.writingheights.com/event/ProfessionalKidness

Join us for this interactive discussion and workshop to ask all your middle grade questions, and take part in exercises to explore your own middle grade voice and find joy in the process.

Author Gennifer Choldenko describes being a middle grade writer as being “a professional twelve-year old.” To write middle grade, we can’t merely remember childhood, we have to re-learn how to be kids and write with a 12 year old’s worldview. But how do we do that? After all, middle grade is the great between: it’s not quite edgy enough to be young adult, but it’s got more heft than a chapter book. It’s right in the middle, just like the age of its readers: not quite a teen, but not exactly into the same kid things they were when they read Dr. Seuss. What exactly are the criteria for middle grade, and how do we write compellingly for this market? How do we get in a space to write the elusive but critical middle grade voice? Join us for this interactive discussion and workshop to ask all your middle grade questions, and take part in exercises to explore your own middle grade voice and find joy in the process.

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Revising and Pitching with Focus: the Thesis of the Novel Zoom Seminar, Monday, August 21st, 2023
Aug
21
6:30 PM18:30

Revising and Pitching with Focus: the Thesis of the Novel Zoom Seminar, Monday, August 21st, 2023

https://writingworkshops.com/products/revising-and-pitching-with-focus-the-thesis-of-the-novel

Once you've written a draft, it can be difficult to figure out where to go next. A range of people will provide feedback, but who is right? How do you go about discerning what to edit and what to keep the same?

To effectively edit, it’s critical to identify a novel’s underlying argument—it’s heart. In this workshop, we’ll discuss the “thesis statement” approach to editing, looking at examples of novels’ “thesis statements,” as well as providing exercises to help you identify and hone in on your novel’s thesis.

TAKE THIS CLASS IF:

  • You want to revise your novel but don’t know where to start.

  • You know your novel needs to be condensed but aren’t sure how to decide what is cut and what is kept.

  • You want to strengthen your pitch for your novel 

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Monkey Con
Aug
6
10:30 AM10:30

Monkey Con

https://www.monkeycon.org/

I’ll be tabling with a bunch of book bundle specials, earrings, necklaces and more! Would love to see you!

Join Us on Sunday August 6, 2023

at the Bohrer Park Center 10am - 4pm

506 S Frederick Avenue

Gaithersburg, Maryland

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Gap in the Shelf: Upper Middle Grade panel at Hooray for Books
Jul
20
5:00 PM17:00

Gap in the Shelf: Upper Middle Grade panel at Hooray for Books

Gap in the Shelf: Upper Middle Grade

 https://www.hooray4books.com/calendar/2023/7/20/event-gap-in-the-shelf-author-roundtable

Get 20% off by buying all 4 of these authors’ books together! The books are Good Different by Meg Eden Kuyatt, Turtles of the Midnight Moon by María José Fitzgerald, Indigo and Ida by Heather Murphy Capps, and It Happened on Saturday by Sydney Dunlap.

While middle grade typically centers protagonists ages 8-12, YA mostly has protagonists ages 15 and up, leaving a gap on the shelves for young readers aged 13-14. Current middle grade trends leave them little opportunity to see themselves represented on the page. There is a critical need in the middle grade space for those readers aged 13-14, but publishers are still reluctant to expand this category. Librarians, teachers, and young readers are searching for stories that address “tough” topics at an age-appropriate level. Where are the 13 year old protagonists, and how do we change the publication landscape? Hear from four authors who are tackling this challenge, covering themes from environmental and social justice to neurodivergence and human trafficking. Join us for this roundtable conversation on the middle grade market and how authors are filling the upper middle grade gap–tackling important and serious topics in a way that is accessible to the middle grade reader.  

 

Panelists: Heather Murphy Capps, Sydney Dunlap, Meg Eden Kuyatt, Maria Jose Fitzgerald

 

Bios:

 

Meg Eden Kuyatt teaches creative writing at colleges and writing centers. She is the author of the 2021 Towson Prize for Literature winning poetry collection “Drowning in the Floating World” (Press 53, 2020) and children’s novels, most recently “Good Different,” a JLG Gold Standard selection (Scholastic, 2023). Find her online at https://linktr.ee/medenauthor.

 

María José Fitzgerald is a writer of children’s books. Her favorite stories usually include animals, friendships, family, and magic. She grew up snorkeling and hiking in her homeland of Honduras, where nature and culture nourished her soul. Her debut novel, Turtles of the Midnight Moon (Knopf, 2023) was selected as an ABA Indie’s Introduces and Indie’s Next book for Winter/Spring 2023. When she’s not writing, you can find Maria teaching, reading, walking her dogs, relaxing with her family, or out on a  mountain bike ride. She is represented by Sara Crowe at Sara Crowe Literary.

 

Heather Murphy Capps grew up in a small Minnesota town where the motto is: “Cows, Colleges, and Contentment.” She spent 15 years as a television news reporter (with a brief side trip into politics) before turning to her favorite kind of writing: middle grade fiction. She writes books with history, social justice, science, magic, and a touch of mystery. She’s a mixed-race author committed to diversity in publishing and an administrator/contributor to the blog From the Mixed-Up Files … of Middle-Grade Authors where she created and curates the monthly “We Need Diverse MG” series. Her Booklist starred debut middle grade novel is INDIGO AND IDA. (Carolrhoda Books/ Lerner April 2023) She lives in Northern Virginia with her husband, two kids, and two cats.

 

Sydney Dunlap is a former elementary school teacher who has worked with at-risk youth in a variety of settings. She enjoys reading and writing heartfelt, hopeful fiction that expands young readers’ awareness of tough topics. She is a published poet and has also written for a newspaper. Her debut novel, It Happened on Saturday, has been named to School Library Journal’s Mock Newbery Blog and included in a Kirkus Reviews feature spotlighting books that promote mental health for kids. She is a lifelong animal lover and lives with her family in a home where the dogs and cats outnumber the people.

 

 

Hooray for Books

      1555 King Street

  Alexandria, VA 22314

        703-548-4092

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Creative Coaching Groups: 6-Month Mentorship Program for Kidlit Writers and Illustrators
Jul
3
to Jan 1

Creative Coaching Groups: 6-Month Mentorship Program for Kidlit Writers and Illustrators

FOR MORE INFO, VISIT:

https://www.scbwi.org/events/CCG2023_07-12

*

May 1 – scholarship applications open

May 15 - scholarship deadline

May 22 - scholarship applicants notified of results

June 1 - general registration opens

July 2 - registration closes

*

Middle Grade Fiction/Young Adult Fiction Cohort 

  

Session: July to December 2023

July

Online meeting (60-90 minutes): Monday, July 10, 2023, 6 PM Eastern.
Deadline to submit materials for mentor and peer critique: Friday, July 14, 2023, 6 PM Eastern.
Mentor and peer written critiques due: Monday, July 31, 2023, 6 PM Eastern.
August

Online meeting (60-90 minutes): Monday, August 7, 2023, 6 PM Eastern.
Deadline to submit materials for mentor and peer critique: Monday, August 14, 2023, 6 PM Eastern.
Mentor and peer written critiques due: Monday, August 28, 2023, 6 PM Eastern.

September

Online meeting (60-90 minutes): Monday, September 11, 2023, 6 PM Eastern.
Deadline to submit materials for mentor and peer critique: Friday, September 15, 2023, 6 PM Eastern.
Mentor and peer written critiques due: Monday, September 25, 2023, 6 PM Eastern.

October

Online meeting (60-90 minutes): Monday, October 9, 2023, 6 PM Eastern.
Deadline to submit materials for mentor and peer critique: Monday, October 16, 2023, 6 PM Eastern.
Mentor and peer written critiques due: Monday, October 30, 2023, 6 PM Eastern.

November

Online meeting (60-90 minutes): Monday, November 7, 2023, 6 PM Eastern.
Deadline to submit materials for mentor and peer critique: Friday, November 10, 2023, 6 PM Eastern.
Mentor and peer written critiques due: Monday, November 27, 2023, 6 PM Eastern.

December

Online meeting (60-90 minutes): Monday, December 11, 2023, 6 PM Eastern.
Deadline to submit materials for mentor and peer critique: Friday, December 15, 2023, 6 PM Eastern.
Mentor and peer written critiques due: Monday, January 8, 2023, 6 PM Eastern.

Final meeting:

 Monday, January 15, 2023, 6 PM Eastern.

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What They Don’t Tell You About Publishing: Submitting to Agents and Editors
Jun
20
6:30 PM18:30

What They Don’t Tell You About Publishing: Submitting to Agents and Editors

https://writingworkshops.com/products/what-they-don-t-tell-you-about-submitting-to-agents-and-editors

This workshop will equip you with everything you need to jump into the publishing industry.

We’ll discuss the roles of agents and editors, what they’re looking for in work, and how you can make your work stand out through strong query letters, pitches, and bios. As someone who has worked on both the author and publicity sides of the fence, I can describe my experience with most effectively approaching marketing and submitting books from both angles.

We’ll also discuss some key tips for how to get to know agents and editors better. No project is required for this workshop; however, students who have a manuscript in mind will have opportunities to create and practice a mini-pitch for the class.

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Jun
19
to Jul 24

Getting Started with Creative Writing

Workshop: Getting Started with Creative Writing

Number of Sessions: 6 Weeks
Start Date: 6/19/2023
End Date: 7/24/2023

Start Time:
End Time:
Location: Wet Ink
Level(s): Beginner
Price: 270
Description: Dive into writing poetry and fiction in this welcoming class! Test the waters in both poetry and fiction, and learn the essential tools for writing creative work. Each unit will focus on an element of craft, including writing exercises, workshops and reading discussions. This is a great way to dip into creative writing and gain confidence on the page! Participants will learn how to write with poetic imagery, what flash fiction is, how to write compelling characters, and more.

Register at: https://www.writer.org/instructor/meg-eden/

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Jun
19
to Jul 24

Poetic Forms

Workshop: Poetic Forms
Number of Sessions: 6 Weeks
Start Date: 6/19/2023
End Date: 7/24/2023
Start Time:
End Time:
Location: Wet Ink
Level(s): All Levels
Price: 270
Description: Learn the poetic tools of form to level up your poetry! In this workshop, we'll explore why form is relevant for contemporary poets, and how we can take advantage of form to strengthen both traditional and free-verse poems. Poetic form isn’t just meter and rhyme--it encompasses a diverse range of vessels that poems can inhabit. Form can help focus our poems, and reinforce a tone beyond our written words. When we have writer’s block, form can give us direction on how to keep writing. Over the six weeks of this workshop, we'll write in several forms (including the haiku, sestina, pantoum, and sonnet), and explore what content works well with different types of forms. This workshop is for any level of poet, but best for poets who have at least some experience writing poems and want to learn more.

Register at: https://www.writer.org/instructor/meg-eden/

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